Chris Hedges - The Tears of Gaza Must Be Our Tears

"Let me cut through the jargon, the euphemisms we use to mask human suffering and war crimes. “Closures” mean heavily armed soldiers who ring Palestinian ghettos, deny those trapped inside food or basic amenities—including toys, razors, chocolate, fishing rods and musical instruments—and carry out a brutal policy of collective punishment, which is a crime under international law. “Disputed land” means land stolen from the Palestinians. “Clashes” mean, almost always, the killing or wounding of unarmed Palestinians, including children. “Jewish neighborhoods in the West Bank” mean fortress-like compounds that serve as military outposts in the campaign of ethnic cleansing of the Palestinians. “Targeted assassinations” mean extrajudicial murder. “Air strikes on militant bomb-making posts” mean the dropping of huge iron fragmentation bombs from fighter jets on densely crowded neighborhoods that always leaves scores of dead and wounded, whose only contact with a bomb was the one manufactured in the United States and given to the Israeli Air Force as part of our complicity in the occupation. “The peace process” means the cynical, one-way route to the crushing of the Palestinians as a people."

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Media Management and Backup

I vividly remember throwing the 40MB hard drive for my Mac Plus out the window of my college dorm room when it died. Although I checked that the coast was clear, I still managed to scare someone who yelled at me for a long time before I was able to calm her down… Yesterday, nearly two decades after I bought that hard drive, I bought two 2TB drives and a RAID enclosure to make a 4TB media storage drive for Shashwati. We need that much to make an high resolution output of our film for festivals which will look much better than what we've been showing people. (For more about our film see dontbeatmesir.com.) I've also had to adjust how I store media on my own computer, since the internal hard drive has no space for all the RAW photos I'm taking with my Cannon 500D. I easily shoot 16GB in a weekend and I only have about 20GB of space left on the drive. Add to that the fact that I need to back up everything and you quickly see how overwhelming media management has become in the days of high definition photos and videos. So what to do without breaking the bank? Below is the solution I've come up with. It might not work for everyone, but something like this should cover most people's needs.

 
For backing up my main hard drive I need a dedicated Time Machine backup drive and a second drive I use for semi-monthly SuperDuper backups. Both of these drives need to be as big, if not bigger than the main hard drive. It is also good to regularly take the SuperDuper clones somewhere off-site so that if the house burns you still have a copy of your data. (I also use DropBox for cloud sync of the files I'm working on at the moment.) Then I need another hard drive for all my media. This needs to be backed up regularly as well. SuperDuper is what I've been using up till now, but I no longer feel that this is sufficient. I need something like Time Machine for this drive. The solution is a mirrored RAID. That means you have two drives of equal size in the same enclosure, and all data written to the first drive is simultaneously written to the second one as well. Since an electrical storm could conceivably wipe both drives out at the same time, it is still good to do regular SuperDuper backups which are kept off-site.
 
All this might seem like overkill, but anyone whose had a drive die on them will know that it is probably not cautious enough. Fortunately drives and RAID enclosures are cheaper than ever. There are also other devices like the Drobo which improve upon the RAID concept, allowing more flexible disk configurations and other features, but at a price. In looking for a RAID enclosure it is good to find something which supports FireWire 800 or eSATA. Also some RAID devices allow you to more easily swap the drives, or even use the drives as two separate drives which can be useful. My plan is to buy two inXtron NT2 800+ drive enclosures and use one for my TimeMachine + SuperDuper backups, and the other for a mirrored RAID media drive. For the Hard Drives, the Western Digital Caviar Green series seems like the most energy efficient and cost effective option for storage drives. You'd want the Caviar Black for something where speed is more important.
 
I can't help but feel that by the time I post this blog post, the information will already be out of date. I certainly can't imagine what we'll be doing for media backup in another twenty years…

NOTES

1. The advantage of the Drobo is not needing to copy everything over when you upgrade your RAID you can do it a piece at a time. However, from what I can tell it isn't worth it. The device costs more than five times as much and is also much slower.

2. For more on why I chose Western Digital read this.

3. The eSATA version of the inXtron NT2 (the "Super-S Combo") does not allow drives to function independently, without a RAID, the 800+ does. In Taiwan I recommend byja.com for getting firewire RAID enclosures.

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Write a Maze

Early on in the summer blockbuster Inception the main character, Dom Cobb, played by Leonardo DiCaprio, is looking to hire a dream "architect" and he gives Ariadne (Ellen Page) a test: Can she create, in less than 60 seconds, a two-dimensional maze which takes more than 60 seconds to solve? I feel this scene perfectly captures the spirit of the screenplay which Christopher Nolan has supposedly been working on since he was 16 years old. The film is basically a thriller, an action film, albiet one with a few more plot twists than spoon-fed modern audiences are used to. What makes it special is that, for most viewers (including myself) sorting out all the twists and turns of the plot takes a little longer than the 148 minutes it takes to watch the film. It is a film that keeps you thinking after you leave the theater, but not for much longer than that. By the time you've finished your after-movie dinner all the pieces have fallen into place and you can forget the film much as you would forget any summer blockbuster.

 
I don't say this to dismiss the film, which I would gladly watch again in sheer admiration for the story-making craft exhibited by the writer-director, but because I think it explains the confusion critics have faced in trying to determine where the film stands in the pantheon. AO Scott tries to be cute by splitting the difference: saying the film "was totally overrated. Unless it was a masterpiece." (AO Scott always seems more concerned about having the "right" opinion on a film than actually trying to say anything interesting about the film.) The problem is that this film doesn't aim for greatness - it just aims to be good enough to keep you glued to your seat for 148 minutes, and maybe a little more than that. 
 
Just for succeeding at its self-assigned task, the film deserves to be called a masterpiece - especially when compared to similar films in the genre: Shutter Island, Fight Club, Dark City, the Matrix, etc. Most of these films let you out of the maze a little too early, and then bore you with some overwrought final dialog (The Matrix), or end with a boring, but predictable feat of heroism (The Matrix), or both (The Matrix). Inception could arguably be accused of all these things as well, but you probably won't notice till after your 148 minutes are up.

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Eyeless in Gaza

Eyeless in Gaza | The New York Review of Books
http://www.nybooks.com/articles/archives/2010/jul/15/eyeless-gaza/

There is another critical facet to the shift that has taken place. Under conditions of escalating nationalist hysteria, Israeli dissent is harshly dealt with. Ezra Nawi, one of the heroes of Israeli nonviolent resistance to the occupation, is now in jail. (He was convicted of assaulting a policeman while protesting the demolition of houses in South Hebron, although there is excellent evidence, including video footage, showing Ezra acting in the classic mode of Gandhian-style nonviolent resistance on that day.) The determined protestors against the evictions of Palestinians from their homes in Sheikh Jarrah, in East Jerusalem, are constantly being arrested and rearrested (meanwhile, another two large Palestinian families there have received eviction notices); leaders of the Israeli Arab community, such as Knesset member Ahmad Tibi, have received death threats and are routinely harassed by the security forces.

The villages of Bil’in and Na’alin, where nonviolent protest against the route of the security fence was pioneered and has continued without interruption for over four years, are now a closed military zone, off limits to Israeli peace activists. More important still is the attempt to break the back of nonviolent grassroots protest in Palestine by arresting and sometimes prosecuting, on trumped-up charges, the leading activists in the villages to the south and west of Jerusalem; someone has clearly identified this mode of resistance as a serious threat to the occupation. At least some of the items on this list may be explained by the fact that internal security is now in the hands of the ultra-right party Yisrael Beitenu, which has given us Foreign Minister Lieberman (he also, of course, voted to attack the flotilla).

(via Instapaper)

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BP-Escher New Yorker Cover

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Memories of Murder 살인의 추억 (★★★★)

Finally got to see this! As good as everyone said it was, even if the characters all seemed a bit too familiar. Song Kang-ho's performance is great.

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“Because he was weak.”

A young Obama asks his Indonesian step-father, Lolo, about war:
 
“What are those?” “Leech marks,” he said. “From when I was in New Guinea. They crawl inside your army boots while you’re hiking through the swamps. At night, when you take off your socks, they’re stuck there, fat with blood. You sprinkle salt on them and they die, but you still have to dig them out with a hot knife.”
I ran my finger over one of the oval grooves. It was smooth and hairless where the skin had been singed. I asked Lolo if it had hurt. 
“Of course it hurt,” he said, taking a sip from the jug. “Sometimes you can’t worry about hurt. Sometimes you worry only about getting where you have to go.”  
We fell silent, and I watched him out of the corner of my eye. I realized that I had never heard him talk about what he was feeling. I had never seen him really angry or sad. He seemed to inhabit a world of hard surfaces and well-defined thoughts. A queer notion suddenly sprang into my head.
“Have you ever seen a man killed?” I asked him.He glanced down, surprised by the question. “Have you?” I asked again. “Yes,” he said. “Was it bloody?” 
“Y es.” I thought for a moment. “Why was the man killed? The one you saw?” “Because he was weak.” “That’s all?” Lolo shrugged and rolled his pant leg back down. “That’s usually enough. Men take advantage of weakness in other men. They’re just like countries in that way. The strong man takes the weak man’s land. He makes the weak man work in his fields. If the weak man’s woman is pretty, the strong man will take her.” He paused to take another sip of water, then asked, “Which would you rather be?”  
I didn’t answer, and Lolo squinted up at the sky. “Better to be strong,” he said finally, rising to his feet. “If you can’t be strong, be clever and make peace with someone who’s strong. But always better to be strong yourself. Always.”

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Chrome vs. Safari

It wasn't too long ago that I was writing posts comparing Firefox vs. Safari. When Chrome came along I thought it would solve the problem, combining the best of both worlds and adding some nice new features as well. However, since Safari 5 came out I've noticed that my iMac functions much faster. This is strange, because I run apps to measure memory and CPU usage and Chrome was very good on both counts. It is true that memory usage is slightly better in Safari, but Chrome wasn't so much of a memory hog that this can explain the difference. And Chrome seems to actually use less processor power than Safari! I suspect that OS X simply doesn't like having too many processes running at the same time, and Chrome would spawn multiple new processes for each new tab. But that is just a guess. Another possibility is that Safari is even better at reducing its memory usage when it is running in the background? Whatever the cause, I hope a future update to Chrome will solve the problem…

The main advantages Chrome has over Safari are the "omnibar," which I've come to prefer over having search and URL separated, extensions, which can now be enabled in Safari (and for which there are already a bunch of decent options, including AdBlock), and keyword search. Only in switching to Safari do I realize how much I've come to depend on Chrome's keyword search feature. Without it I feel like I'm web browsing with one hand tied behind my back. There is an application, keywurl, which adds this feature to Safari, but so far it isn't working with Safari 5. I tried the work-around on this page, but I found it just caused Safari to crash... There are some other apps which provide similar functionality, but they don't seem as good. I guess I'll just wait and hope that the keywurl developer comes out with a fix soon...

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Ip Man 葉問 (★★)

Worth it for the fight scenes, but otherwise the story is just the usual nationalist claptrap and clichés.

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Red Riding (★★★)

Red Riding is a television adaptation of English author David Peace's Red Riding Quartet. Published between 1999 and 2002, the quartet comprises the novels Nineteen Seventy-Four (1999), Nineteen Seventy-Seven (2000), Nineteen Eighty (2001) and Nineteen Eighty-Three (2002). Set against a backdrop of serial murders, including the Yorkshire Ripper case, they deal with multi-layered corruption and feature several recurring characters across the four books. Though real crimes are featured the scripts are fictionalised and dramatised versions of events rather than contemporary factual accounts.

The adaptation into three feature-length television episodes aired on Channel 4 beginning on 5 March 2009. They are produced by Revolution Films. The three films were released theatrically in the US in February 2010.

More about style, mood, period, and location than about story or plot, but still engaging. Could have used subtitles for a few of the actors...

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